Tag Archives: workshop

Cherry Hood Workshop…May 2013

Have just signed up for Archibald prize-winning artist, Cherry Hood’s workshop in Towrang May this year.  After so many “portraits of Venice” painted recently for two upcoming exhibitions, I am looking forward to some “portraits of people”!

Artist, Cherry Hood, and her studio in Towrang.

Artist, Cherry Hood, and her studio in Towrang.

Coincidences…and when to stop!

Although busy with the lead up to our exhibition, I am delighted to have completed a project I have been working on for some time now.  There is a real sense of satisfaction, having lived with this portrait for what seems like months now (although if I was to check my records I don’t think it has been), however the idea to paint this particular painting has certainly been with me for about nine months.  Now that the idea has been birthed,  I am delighted it has coincidentally been finished in time for my dear friends birthday. 

While I believe coincidences happen, what I don’t believe is that they are coincidences (if you can understand that).  I had not intentionally set out to paint this painting for a certain finishing date as I had contemplated starting it on a number of occasions.  It was not until I began painting and now that it has been finished, albeit with some big gaps in the middle of it, that it has actually coincided with my friends forthcoming birthday.  If anything I had thought of it as a Christmas gift, as it was taken at Christmas a year ago.  My friend is currently working in Kuwait so what better way for her gift to arrive but via a treasure hunt in my website!  (Happy birthday Roseanne!)

And on the learning side, Warwick Fuller’s key fundamental questions from my recent workshop with him, kept coming to me especially in the final stages of doing this portrait (I had begun the painting before the workshop).  The three things he instilled in asking when painting are 1: What colour is it? (colour) 2: What tone is it? (tone) and 3: Where do I put it on the painting? (drawing). 

When I stepped back from this painting for some final analysis, I could see a couple of places where the tone wasn’t quite right and my challenge then was to make the adjustment without completely altering all the relationships that went with it.   Also I was now not working “wet in wet”, so blending was trickier.  And then it gets to a point where you just have to stop.  Knowing when to stop is another challenge for an artist.  So I will stop here!